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Museum of: Rome | ||||||||||||||||||||||||||||||||
Name of the artefact: Statuette of Favella B | ||||||||||||||||||||||||||||||||
The statuette representing a female figure was
recovered mutilated at the basin level. |
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WHERE IS IT AND MAIN
CHARACTERISTICS |
STATE |
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Department: |
- |
Preservation: |
Good | |||||||||||||||||||||||||||||
Inventory number: |
- |
Restauration: |
No restored | |||||||||||||||||||||||||||||
Name of the artefact: |
Statuette of Favella B |
Completeness: |
Incomplete | |||||||||||||||||||||||||||||
Object type: |
Human figurine |
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Material: |
clay |
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Methof of manufacture: |
hand craft |
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Decoration
type: |
No decoration |
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Distinctive mark: |
- |
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DIMENSIONS |
PERIOD OF USE |
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Length (mm): |
122 |
Epoque: |
Neolithic |
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Heigth
(mm): |
123 |
Culture: |
- |
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Diameter
(mm): |
- |
Period: |
Early Neolithic |
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Width (mm): |
- |
Face: |
- |
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Thickness (mm): |
56 |
Absolute chronology: |
6900 BP |
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Weight
(g): |
- |
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DISCOVERY |
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Date: |
2000 |
Country: |
Italy |
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District: |
Calabria |
Town hall affiliation: |
Cosenza |
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Village: |
Corigliano |
Discovery findspot: |
Favella |
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Condition of discovery: |
Chance Discovery |
Discovery type: |
Deposit |
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ANALYSES – DETERMINATIONS |
FILLED IN BY |
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Type: |
- |
Name: |
Chiara delpino, Vincenzo Tinè |
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Laboratory: |
- |
Institution: |
- |
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No./Code: |
- |
Date: |
10-2005 |
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DEEPENINGS |
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Morphology of the object: |
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The statuette representing a female figure was
recovered mutilated at the waist level. The body’s outline, mostly
cylindrical in shape, is continuous from the head to the bust, without any
kind of interruption to represent neck or shoulders. Features are visible
on its face: the nose, damaged, is in relief, while the eyes and mouth are
depicted through carved incisions. An horizontal line at the top of the
head may represent the hairline. Small pointed breasts and arms fused
below them are visible on the bust. |
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Decoration: |
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- |
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Inscription: |
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- |
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Analogies: |
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The statuette belongs to a broader group of figurines
from the same site of Favella and to others of the same facies (as from
Rendina) completing the iconographic knowledge on this kind of artefacts.
The fragmentary state of the other figurines lacked the upper part of the
bodies. The lower part of the bodies of the other statuettes recovered
show a seated or crouched position (typical of a large Neolithical
Cultural area which extends from the Near East regions to the Balkans and
the Aegean) that can easily be linked to birth. Usually emphasized by the
female’s genitalia dilatation positioned in the lower part of the seated
body instead of in the pubic area. Other examples seem to depict standing
figures, with genitalia emphasized by its disproportionate size
representations. The Favella figurine also bears generic resemblance to
many typologies of female images common in the Neolithic Period in Italy:
it is an old and widespread kind of iconography in regard to its main
characteristics. It is however possible to determine some patterns linked
to specific cultural spheres even if difficult to perceive because of the
rareness of the finds. Proof of the cult of mother-goddess with marked
naturalistic features have been found in the South-East region of Italy
(Favella and Rendina) within the Early Neolithic Period. While figurines
from the Adriatic- Central Italy area (middle culture Adriatic) have
schematic features( as in Monterado). |
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Interpretation: |
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The figurine belongs to the motif of seated or standing
female figures with emphasized sexual- attributes, known in the early
facies of the Italian Neolithic Period. Neolithic art is mainly
characterized by female statuettes, common in most continental and
Mediterranean areas of Europe, the Balkans and the Aegean, while male and
animal figurines are fewer in numbers. Compared to the statuettes of the
“Venus” from the Upper Paleolithic Period some representation themes
persist, such as the aspect of female fertility. Thanks to the new forage
economy during the Neolithic Period a stronger link to the fertility of
the earth seems to be mentioned. The location of the find, and probably
the context of use of the object, suggests a use connected to domestic
structures: the figurine from Favella was recovered within a “debris
ditch” which held the remains of a domestic structure fallen in disrepair,
or demolished to be rebuilt. The icon, or talisman, as a representation of
a divine power protector of the inhabitation or the family usually befell
the same fate of the structure and is found in its debris levels. Other
statuettes were instead positioned under the hut floor during the
foundation ritual. |
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Bibliography: |
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CIPOLLONI SAMPÒ M., 1982, Scavi nel villaggio neolitico
di Rendina (1970-‘76). Relazione preliminare. Origini, XI, pp.183-323 TINÈ
S., TINÈ V., TRAVERSO A., 1994, Il villaggio di Favella della Corte e la
neolitizzazione della Sibaritide, Atti XXXII Convegno di Studi della Mgna
Grecia, Taranto 1992, pp.85-102 TINÈ V., (a cura di), 1996, Forme e tempi
della neolitizzazione in Italia meridionale ed in Sicilia, Atti del
seminario, Rossano Calabro 1994 TINÈ V., 2002A, Il Neolitico in Calabria,
Atti XXXVII Riunione Scientifica Istituto Italiano di Preistoria e
Protostoria, pp.115-143. TINÈ V., 2002B, Il Neolitico, in Donne, Uomini e
animali. Oggetti di arte e di culto nella preistoria. Catalogo della
mostra - Roma, Museo “L.Pigorini” 2001 TINÈ V., NATALI E., STARNINI E.,
2000, Il villaggio neolitico antico I di Favella (Cosenza), in PESSINA A.,
MUSCIO G., (a cura di), La neolitizzazione tra Oriente e Occidente, Atti
Convegno di Udine 1999. |
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